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awrigley7
- May 24, 2022
- 1 min
Getting grounded
You start an oil painting from the ground up, quite literally: The ground is the first layer, that will be hidden in the final painting, so why bother with it? Well, because it is vital for achieving reliable results. The ground sets the drying time of your oils, it sets the rheology (how the paint flows over the surface), it sets the basics of any translucence if you want optical to achieve optical effects, for example, if you are using glazes. So, how do you prepare this gr
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awrigley7
- May 24, 2022
- 2 min
Art can be chaotic, your studio doesn't have to be...
Or does it? Well, that is an open question and, like most open questions, it depends. On what? Well, on the artist, of course. Francis Bacon produced some of the modern world's most amazing paintings in one of the world's most chaotic studios. Me? I can't paint if I have dried paint from a previous effort on my pallet. It clutters my vision, imposing elements on me of paintings past. I want an uncluttered view of what is in my head. I need peace, and a day ahead with no deman
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awrigley7
- May 24, 2022
- 2 min
Art and Chaos
A little chaos goes a long way towards a painting. Now, I know I don't like a chaotic looking studio. But that isn't the point. What I am talking about is the painting itself. To be the master of chaos is to be the master of your art. And to do that, you need to thrive on your failures. If your paintings are always exactly what you wanted, if making them wasn't always a close run thing from which you do not always emerge triumphant or unscathed, then your paintings will all b
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